Forrest Theatre

1114 Walnut St Philadelphia, PA 19107
ON STAGE

Now Playing

A BEAUTIFUL NOISE: THE NEIL DIAMOND MUSICAL

ON STAGE

Now Playing

A BEAUTIFUL NOISE: THE NEIL DIAMOND MUSICAL

HISTORY

The Forrest is a quintessential "road house", used primarily by touring theatre and dance companies. It was built in 1927 to compete with rival A.L. Erlanger’s planned new playhouse at Market and 21st Streets. The Shuberts intended the new playhouse--named after Edwin Forrest, the great Philadelphia born tragic actor of the nineteenth century--to surpass Erlanger's new theatre in terms of size and splendor.

 

ARCHITECTURE

The Forrest is one of architect Herbert J. Krapp's final theatre designs and also one of his more elaborate. Built at a cost of over $2,000,000, it boasted many modern conveniences including wider seats in the orchestra, a smoking room for both men and ladies in the lower lounge and state of the art ventilation and electrical systems. The interior was sumptuously decorated with gilt Adam detailing and silk brocade. The dressing rooms are housed in a separate building and connected by an underground tunnel to the Forrest’s stage.

Details on the Forrest Theatre's Accessibility


Access Information 
Theatre is not completely wheelchair accessible. There are no steps into the theatre from the sidewalk. Please be advised that where there are steps either into or within the theatre, we are unable to provide assistance.

Shubert Audience Services
The Forrest Theatre provides accommodations for patrons who are blind, deaf, partially sighted, and/or have hearing loss. The theatre provides infrared assistive listening devices for every performance at the theatre. In addition, hand-held audio description devices and hand-held captioning devices are available, and there is unlimited access to downloadable audio description and/or captioning for personal mobile devices free of charge. (Hand-held devices are limited, although additional devices can be obtained with at least twenty-four hours’ notice.) If you have questions, contact Shubert Audience Services at 212-944-3700 or audienceservices@shubertorg.com. There is also a representative at the Shubert Audience Services kiosk at every performance to assist any patron with any of our devices, software, or technology.

Accessibility by Seating Section 
Orchestra Location: Seating is accessible to all parts of the Orchestra without steps. There are no steps to the designated wheelchair seating location. 

Mezzanine Location: Located on the 2nd Level, up 2 flights of stairs (30 steps). Please Note: The entrance to the 2nd Level is at the east end of the Grand Foyer. 

Rear Mezzanine Location: Located on the 2nd Level, behind the Mezzanine. The upper rear Mezzanine landing has a rear exit which connects with Mezzanine exits in the theatre. There is a total of 66 steps.

Handrails: Available at the end of every stepped seat row in the Mezzanine.

Wheelchair | Companion Seat Locations:Orchestra:
Y115 | Y114, Y113, Y112; Y2 | Y4, Y6, Y8; Y23 | Y21, Y19, Y17; Y27 | X25, X27, X29; G21| G19, G17, G15; G22 | G20, G18, G16

Aisle Seat with Folding Armrest | Companion Locations:
Orchestra: T1 | T3; T2 | T4; V101 | V102; V114 | V113; R28 | R26; R27 | R25; T28 | T26; T29 | T27; V29 | V27
Mezzanine: E101 | E102; E114 | E113

Elevators/Escalator
None Available

Restroom 
There is a wheelchair accessible (unisex) restroom on the street level with no steps.

Water Fountain
Located in the unisex restroom on the main level (accessible).

Theatre Policies
The use of cameras, recording devices, cell phones, beepers, and other electronic devices during the performance is prohibited, except as permitted for accessibility services. Everyone attending a performance must have a ticket. Latecomers will be seated at the discretion of management. Wheelchair and mobility-impaired seating is intended for patrons with mobility disabilities. Children under the age of four years will not be admitted. No outside food or beverage permitted, unless medically necessary. No weapons permitted on the premises.

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