Broadhurst Theatre

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HISTORY

George H. Broadhurst, the Anglo-American manager and playwright (1866-1952), built his eponymous theatre in association with the Shubert brothers. Broadhurst had previously managed theatres in Milwaukee, Baltimore, and San Francisco (and written many popular plays). The playhouse has remained one of the Shubert Organization’s most consistently booked theatres.

ARCHITECTURE

Mirror images of each other, the Broadhurst and the neighboring Plymouth Theatre, which opened within two weeks of each other, were the brainchild of architect Herbert J. Krapp, and were his first independent commissions. While the two playhouses are nearly identical on the outside, the Broadhurst's interior employs Doric columns, and Greek-style cornices and friezes. Its spare exterior is decorated with brickwork, enhanced by touches of stone and terra-cotta trim.

Spotlight on Broadway: Broadhurst Theatre from Spotlight on Broadway on Vimeo.

Access Information 
Theatre is not completely wheelchair accessible. There are no steps into the theatre from the sidewalk. Please be advised that where there are steps either into or within the theatre, we are unable to provide assistance. 

Shubert Audience Services
The Broadhurst Theatre provides accommodations for patrons who are blind, deaf, partially sighted, and/or have hearing loss, except as permitted for accessibility services. The theatre provides infrared assistive listening devices for every performance at the theatre. In addition, beginning four weeks after a show’s official opening night performance, hand-held audio description devices, hand-held captioning devices, and unlimited access to downloadable audio description and/or captioning for personal mobile devices are all available free of charge. Prior thereto, we offer live-caption via CART using a hand-held device, upon request with two-weeks’ advance notice. For assistance, or If you have questions, contact Shubert Audience Services at 212-944-3700 or audienceservices@shubertorg.com. There is also a representative at the Shubert Audience Services kiosk at every performance to assist any patron with any of our devices, software, or technology. Hand-held devices are limited, although additional devices can be obtained with at least twenty-four hours’ notice.

Accessibility by Seating Section 
Orchestra Location: Seating is accessible to all parts of the Orchestra without steps. There are no steps to the designated wheelchair seating location.

Mezzanine Location: Located on the Second Level, up 1 flight of steps. Please Note: On the Mezzanine Level, there are approximately 2 steps down per row. Entrance to the Mezzanine is behind row L. 

Handrails: Available at the end of every stepped seat row in the Mezzanine.

Wheelchair  | Companion Seat Locations:
Orchestra: J24 | J18 - 20; K23 | J17 - 21; O26 | O24, P24 - 26; Q102 | Q103 - 105; Q112 | Q109 - 111; Q113 | P112 -113

Aisle Seat with Folding Armrest | Companion Locations:
Orchestra: J114 | J113; R1 | R3; R2 | R4

Elevators/Escalator
None Available

Restroom 
Wheelchair accessible (unisex) restroom is located on the main level. 

Water Fountain
Located in the Rear Orchestra. Accessible at 36".

Theatre Policies
The use of cameras, recording devices, cell phones, beepers, and other electronic devices during the performance is prohibited. Everyone attending a performance must have a ticket. Latecomers will be seated at the discretion of management. Wheelchair and mobility-impaired seating is intended for patrons with mobility disabilities, unless medically necessary. Children under the age of four years will not be admitted. No outside food or beverage permitted. No weapons permitted on the premises.

NOW PLAYING

A BEAUTIFUL NOISE, THE NEIL DIAMOND MUSICAL

The story of the legendary Neil Diamond comes to life on stage in an uplifting new Broadway musical, A Beautiful Noise featuring all his hit songs including “Sweet Caroline,” “America,” and “Cracklin’ Rosie.”

The grandson of Jewish and Polish immigrants, Brooklyn born and raised, Neil Diamond was a New York kid down to his boots, strumming his guitar on the steps of Erasmus High School on Flatbush Avenue.

1960s America was hungry for change and so was he. He landed a gig selling songs for fifty bucks a week in the legendary Tin Pan Alley’s Brill Building, just 5 blocks from where you’re standing right now. At night he honed his voice on stage at the Village’s Bitter End, but knew he was destined for something greater.

This was New York, after all. City of dreams. Full of life and opportunity where anyone could write their story. And so he did, in song after song.

10 Top 10 Hits. 140 million albums sold. His 1972 concert and live album Hot August Night sung in front of 5,000 screaming fans catapulted him to fame as the ultimate entertainer. He sang his way to a Grammy Award, into the Rock and Roll and Songwriters Halls of Fame, then topped it off with a Lifetime Achievement Grammy and the Kennedy Center Honors.

This is the story of that Brooklyn kid who made it big and took us all along for the ride.

From those exhilarating early days in New York to the sold-out spectacles that defined his career, A Beautiful Noise explores the life of a rock icon through the music that made him “a national treasure” (Los Angeles Times).

Directed by Tony Award® winner Michael Mayer (Spring Awakening, Hedwig and the Angry Inch), choreographed by Olivier Award winner Steven Hoggett (Once, Harry Potter and the Cursed Child), and written by four-time Academy Award nominee Anthony McCarten (Bohemian Rhapsody, The Two Popes), A Beautiful Noise is a thrilling look at an artist’s search for himself and a celebration of the enduring power of his music.

Good times never seemed so good.

A Beautiful Noise, The Neil Diamond Musical Tickets