Broadhurst Theatre

HISTORY

George H. Broadhurst, the Anglo-American manager and playwright (1866-1952), built his eponymous theatre in association with the Shubert brothers. Broadhurst had previously managed theatres in Milwaukee, Baltimore, and San Francisco (and written many popular plays). The playhouse has remained one of the Shubert Organization’s most consistently booked theatres.

ARCHITECTURE

Mirror images of each other, the Broadhurst and the neighboring Plymouth Theatre, which opened within two weeks of each other, were the brainchild of architect Herbert J. Krapp, and were his first independent commissions. While the two playhouses are nearly identical on the outside, the Broadhurst's interior employs Doric columns, and Greek-style cornices and friezes. Its spare exterior is decorated with brickwork, enhanced by touches of stone and terra-cotta trim.

Spotlight on Broadway: Broadhurst Theatre from Spotlight on Broadway on Vimeo.

Access Information 
Theatre is not completely wheelchair accessible. There are no steps into the theatre from the sidewalk. Please be advised that where there are steps either into or within the theatre, we are unable to provide assistance. 

Shubert Audience Services
The Broadhurst Theatre provides accommodations for patrons who are blind, deaf, partially sighted, and/or have hearing loss, except as permitted for accessibility services. The theatre provides infrared assistive listening devices for every performance at the theatre. In addition, beginning four weeks after a show’s official opening night performance, hand-held audio description devices, hand-held captioning devices, and unlimited access to downloadable audio description and/or captioning for personal mobile devices are all available free of charge. Prior thereto, we offer live-caption via CART using a hand-held device, upon request with two-weeks’ advance notice. For assistance, or If you have questions, contact Shubert Audience Services at 212-944-3700 or audienceservices@shubertorg.com. There is also a representative at the Shubert Audience Services kiosk at every performance to assist any patron with any of our devices, software, or technology. Hand-held devices are limited, although additional devices can be obtained with at least twenty-four hours’ notice.

Accessibility by Seating Section 
Orchestra Location: Seating is accessible to all parts of the Orchestra without steps. There are no steps to the designated wheelchair seating location.

Mezzanine Location: Located on the Second Level, up 1 flight of steps. Please Note: On the Mezzanine Level, there are approximately 2 steps down per row. Entrance to the Mezzanine is behind row L. 

Handrails: Available at the end of every stepped seat row in the Mezzanine.

Wheelchair  | Companion Seat Locations:
Orchestra: J24 | J18 - 20; K23 | J17 - 21; O26 | O24, P24 - 26; Q102 | Q103 - 105; Q112 | Q109 - 111; Q113 | P112 -113

Aisle Seat with Folding Armrest | Companion Locations:
Orchestra: J114 | J113; R1 | R3; R2 | R4

Elevators/Escalator
None Available

Restroom 
Wheelchair accessible (unisex) restroom is located on the main level. 

Water Fountain
Located in the Rear Orchestra. Accessible at 36".

Theatre Policies
The use of cameras, recording devices, cell phones, beepers, and other electronic devices during the performance is prohibited. Everyone attending a performance must have a ticket. Latecomers will be seated at the discretion of management. Wheelchair and mobility-impaired seating is intended for patrons with mobility disabilities, unless medically necessary. Children under the age of four years will not be admitted. No outside food or beverage permitted. No weapons permitted on the premises.

NOW PLAYING

THE HILLS OF CALIFORNIA

Following their triumphant production of The Ferryman, Tony-winning Playwright Jez Butterworth andOscar® and Tony-winning Director Sam Mendes reunite for The Hills of California.

In the sweltering heat of a 1970s summer, the Webb sisters return to their childhood home in Blackpool, an English seaside town, where their mother Veronica lies dying upstairs. Gloria and Ruby now have families of their own. Jill never left. And Joan? No one’s heard from her in twenty years… but Jill insists that their mother’s favorite won’t let them down this time.

The run-down Sea View Guest House is haunted by bittersweet memories of amusement park rides and overdue bills. Back in the 1950s, each night the girls rehearse their singing act, managed by their fiercely loving single mom. But when a record producer offers a shot at fame and a chance to escape, it will cost them all dearly.

“Jez Butterworth is back and he’s still remarkable.” – Time Out

“The Hills of California is a top-of-the-range night out. Flawless Sam Mendes magic.” – Daily Mail

“Hilarious and devastating, The Hills of California will undoubtedly cement Jez Butterworth's reputation as our greatest living playwright.” – Vogue

“A play of beauty, heat and pain, all built on a shattered dream.” – Mail on Sunday

The Hills of California Broadway Show Tickets